The family is still making art.

Paintings, sculpture, and a conceptual practice that treats corporations as oeuvres. By Paul-Alexander Pissarro, great-great-grandson of Camille Pissarro. Acquisitions are handled by Name of My Gallery. Every edition is bound by the perpetual CoCA resale covenant.

Do and Pissarro are not asking the question. They are building the institution that answers it.

Where Duchamp asked what is art, Do and Pissarro ask what is the minimum viable institution. The institution does not produce aesthetic goods; it engineers covenants and compliance mechanisms as artworks. The corporation is the medium.


Education


Selected Exhibitions


I · The Inheritance

Camille Pissarro showed in all eight Impressionist exhibitions. The first of them, in 1874, was mounted by a corporation: a cooperative whose statutes he pushed toward the rules of a bakers' union. The inheritance was never only a way of painting. It was a way of incorporating.

Radical Genealogy (RAD-GEN.001, 2026) by Paul-Alexander Pissarro: edition of one hundred oil-on-canvas paintings after the late style of Camille Pissarro, painted by hand by Kim Van Do, Church of Conceptual Art

Radical Genealogy

RAD-GEN.001 · 2026

Oil on canvas, 30.5 × 30.5 cm. Edition of one hundred, painted by hand by Kim Van Do. $7,000.

An edition of one hundred oil paintings in the late impressionist style of Camille Pissarro, each painted by hand by Kim Van Do. The edition addresses the market's historical undervaluation of Camille Pissarro relative to Monet: the serialised sunset the elder Pissarro refused to paint, painted one hundred times.

Acquire Project page

II · The Incorporation

One hundred and fifty years later, the practice takes that detail literally. These are not companies that support the art. They are the art.

Church of Conceptual Art

Religious corporation · Montana

One work of art in the form of a church: the founding congregation of Corporate Realism. It engineers covenants and compliance mechanisms as artworks. churchofconceptualart.org

Chronicle of Living Artists

Secular 501(c)(3) nonprofit

A secular 501(c)(3) nonprofit, registered with the IRS. chronicleoflivingartists.org

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Experimental marketing agency · New York

A marketing agency as an artwork: narrative architecture, issuing broker to the church, publisher of the books. unsubscribe.llc

Name of My Gallery

Conceptual gallery space

A gallery as an artwork: the virtual space through which the editions pass into collections. nameofmy.com

The CoCA Covenant

Every edition is bound by a perpetual legal covenant that runs with the object: documented chain of custody, cash settlement on resale, and a fifty per cent royalty to the artists on resale value above the edition's threshold, $30,000 for the Genesis series and $14,000 for RAD-GEN. The covenant is part of the work; by acquiring, you accept it.


III · The Objects

An institution that enforces through authentication needs objects worth authenticating. The objects are deliberately strange, so that the paperwork can be deadly serious.

Genesis Artifact (2025-2026) by conceptual artist Paul-Alexander Pissarro: unlicensed Rolex Day-Date 40 wristwatch sealed in archival resin with the CoCA institutional seal, edition of ten

Genesis Artifact

UNSUB·GEN·001 · 2025–2026

Unlicensed Rolex Day-Date 40, archival resin, CoCA institutional seal. Edition of ten. $15,000.

The inaugural work of the Genesis series: ten unlicensed Rolex Day-Date 40 wristwatches sealed in archival resin and impressed with the CoCA institutional seal. In the artist's framing, "the resin is the blockchain, the covenant is the smart contract, and the lineage is the whitepaper." The first edition was placed with a private collector in Texas in May 2026.

Acquire Project page
Genesis 002 (2026) by Paul-Alexander Pissarro: broken iPhone repaired with gold-lacquered kintsugi seams, conceptual artwork from the Genesis series of the Church of Conceptual Art

Genesis 002

UNSUB·GEN·002 · 2026

Broken iPhone, kintsugi repair with gold lacquer.

Where Genesis Artifact consecrated a counterfeit, Genesis 002 consecrated a failure: a sixteenth-century repair philosophy transposed onto disposable technology, the cracked screen treated as the site of the work rather than its flaw. The covenant structure carries forward unchanged.

Enquire

IV · The Films

The institution also speaks in pictures.

ART IS DEAD title card: black capital letters on a red background. A film by the Church of Conceptual Art, directed by Paul-Alexander Pissarro

ART IS DEAD

Film · as Paul-Alexander Pissarro · Church of Conceptual Art

A film by the Church of Conceptual Art. Watch at churchofconceptualart.org.


V · The Record

Every practice ends in an archive. This one filed its ending first.

The obituary of Paul-Alexander Pissarro at paulpissarro.com: a Wikipedia-style article with infobox, portrait and 47 references, published in advance of his death

The Obituary

paulpissarro.com · 2026–2078

The artist's obituary, published fifty-two years in advance: a complete Wikipedia-style article in sixteen languages, with 47 references, an infobox, a filmography and a register of editions. It reads as a conceptual Wikipedia entry and functions as autobiography, advertisement, and will. Read it.


Also


Newsletter

Institutional record: Church of Conceptual Art. Sales and placement: Name of My Gallery.